I think it’s still in development, so number of features and presets is probably still increasing. I’d say it’s a little bit like Reaktor without the “logics editing” level, but where everything supports per-voice modulation out of the box. Stuff has many options but it seems logical once a few concepts are understood. Have to say that I’m quite impressed up to now. Any other smoothing parameter could be chosen with the arrow symbol. You can see that “Controller smoothing - Timbre CC#74” is selected here. CTRL+Alt click on the Timbre smoothing slider and the multiparameter editor opens. There is a multiparameter “Timbre smoothing” in the Globals/MPE & Controllers section. see this in the Experimental/Physical Modeller Preset. a 2 kHz Eigenharp OSC-to-MIDI input could be considered for modulation! (So: how many midi events are needed for smoothing)Įdit: Found out how to change the actual smoothing of the controller (which is independent of the smoothing for interpolation - which makes sense): There is an option “controller smoothing” that can be assigned to any multiparameter. Would be interesting, which additional latency the interpolation in “very high” (4 samples) to “high” (32 samples) modes would lead to for 44.1kHz audio - and whether all events from e.g. Unless we have a controller that sends midi events at up to audio rate Not sure what that means in the case of a MIDI modulator though, as smoothing would always require some kind of hysteresis and thus a delay. This can be set from “minimal” (every 2048 samples) to “extreme” (every 1 sample). There seems to be a feature called “smart interpolation” that on first sight defines how often a modulation source updates the modulated target.
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